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FREQUENTLY ASKED QUESTIONS
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Email additional
questions to
sales@worldemblem.com or click on Live Help. |
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GENERAL
INFORMATION |
EMBROIDERY
HINTS |
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ORDERING |
EMBROIDERY TROUBLESHOOTING |
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PERFECT PRINT |
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GENERAL INFORMATION |
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Q:
What are your office hours? |
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Q: What is your
cancellation policy? |
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Q: Why
did I receive more emblems than I ordered? |
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Q: What
payment methods are accepted? |
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Q: What shipping
methods are available? |
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Q: How
do I make a return? |
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Q: What are your
timelines for delivery? |
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Q: Is your
site secure? |
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ORDERING |
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Q: How do I place an order? |
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Q: What is the process for ordering Embroidery or Embroidered Emblems? |
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Q: What is your pricing
policy? |
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Q: How do I
scan and submit an emblem on the
Design Request Screen? |
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Q: In what
format should my emblem be submitted? |
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Q: What is the
process for ordering Perfect
Print Emblems? |
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Q: What is the difference between a
REMAKE and an EDIT? |
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Q: Is there a charge to
rush an order? |
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Q: Will sales tax be
added to my order? |
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Q: Can I send
my own garments to be embellished? |
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PERFECT PRINTTM |
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Q:
What is Perfect Print? What
are Perfect Print Emblems? |
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Q: What is
Sublimation? |
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Q: What is Inkjet, and how does it work? |
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Q: From where can
printer supplies be
ordered? If I need a new printer, where can I get one? |
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Q: Can I use both
Epson and Inkjet inks in
my printer? |
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Q:
Will I have a problem if I don't use my
printer for six months? |
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Q: Do I need special transfer paper? |
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Q: Can the press we use currently to create
Sublimated Emblems be used for Perfect Print Emblems? |
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Q: Where can I purchase a
Heat Press? |
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Q: What Heat Press should I purchase? |
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Q: What is the best way to produce
full
color background emblems? |
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Q: What are the limitations of
Inkjet inks? |
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Q: What printers are
compatible with Inkjet
inks? |
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Q: What
Hardware
is required for Perfect Printed Emblems? |
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Q: Where should
the hardware be set up? |
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Q: What is the
hardware to be used for? |
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Q: What is the
difference between Screen Printing and Sublimation? |
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EMBROIDERY HINTS |
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Q: What are Backings? |
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Q: Why use Backings? |
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Q: What are
the qualities of Backings and uses? |
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Q: How do I select a needle? |
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Q: What are Hoops and
what is Hooping? |
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Q: How do you
select the appropriate Hoop? |
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Q: What types of Hoops
are available? |
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Q: How do you take care
of the Hoops? |
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Q: What are
the guidelines for Hooping a garment? |
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EMBROIDERY TROUBLESHOOTING |
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Q: What if the thread breaks? |
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Q: What can I do to
prevent puckering? |
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Q:
What can I do to prevent looping or loose stitching? |
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Q: What do I do
if I have poor registration? |
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Q: What
should I do if stitches are not forming? |
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Q: What should I do
if the needle breaks? |
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Q:
What should I do if there are needle holes or cuts in the fabric? |
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Q: What are some tips for better productivity of Backings and Toppings? |
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Q: What are some tips for better productivity of Threads and Needles? |
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Q: What are
some tips for machine maintenance? |
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Q: What
are some other tips for better productivity? |
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GENERAL INFORMATION |
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Q: What are your office hours? |
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A: Miami office hours
are 7:00 A.M. - 7:00 P.M.
Monday through Friday, Eastern Standard Time.
Taylor office hours are 8:00 A.M.
- 6:00 P.M.
Monday through Friday, Eastern Standard Time.
Voicemail messages can be left during all
other hours and a Customer Service Representative will return your call
as soon as possible.
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Q: What is your
cancellation policy? |
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A: Any work started will be invoiced and
billed. A fee on $25.00 will be billed for returned checks. Any
garments ordered and not embellished will be subject to a 30% restocking
fee. |
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Q: Why
did I receive more emblems than I ordered? |
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A:
World Emblem tries to produce your order in the exact
quantities specified, but it is not always possible. We reserve the
right to ship and bill up to 10% over or under the desired quantity. |
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Q: What
payment methods are accepted? |
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A:
World Emblem accepts Visa, MasterCard, American Express and Discover. To apply for
an account with World Emblem, log
onto www.worldemblem.com and
fill out a credit application or you can request a credit application by
calling us at 1-800-766-0448. |
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Q: What shipping
methods are available? |
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A: World Emblem ships U.P.S., Airborne, US
Postal Service, and is capable of using most light truck carriers. To
arrange special shipments, please call and request this with your service
specialist. World Emblem allows its customers to supply us with your
shipper number and will gladly ship your package on your shipping
account at no
extra charge. Ask your sales representative for more details. |
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Q: How do I make a return? |
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A: Returns will not be accepted without a RA
#. All claims must be made within 30 days of receiving orders. |
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Q: What are your
timelines for delivery? |
A:
At World Emblem, we
have a 98% maintained delivery schedule, something we are proud of and
strictly adhere to. (The following times do not include shipping.)
|
Appliqués |
10
Working
Days |
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Custom
Logo Emblems |
5
Days |
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Custom
Screen Print Emblems |
3
Days |
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Direct
Garment Embroidery Printing |
5
Days |
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Art |
24
Hours |
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Transfers |
10
Days |
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Standard
Script and Block Lettering |
24
Hours |
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Stock
Products (Tape, Stock Emblems) |
Same
Day |
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Sew
out
Samples |
48
Hours |
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Perfect
PrintTM |
24-48
Hours |
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Q: Is your site secure? |
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A:
Verasign protects you while you shop at World Emblem, so that you never
have to worry about credit card safety. We guarantee that every
transaction you make at World Emblem will be 100% safe. This means you
pay nothing if unauthorized charges are made to your card as a result of
shopping at World Emblem. Under the Fair Credit Billing Act, your
bank can not hold you liable for more than $50.00 of fraudulent charges.
If your bank does hold you liable for the $50.00, World Emblem will
cover the entire liability for you, up to the full $50.00. World Emblem
will only cover this liability if the unauthorized use of your credit
card resulted through no fault of your own from purchases made at World
Emblem while using our secure server. In the event of unauthorized use
of your credit card, you must notify your credit card provider in
accordance with its reporting rules and procedures. |
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ORDERING |
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Q: How do I place an order? |
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A: World Emblem International accepts order
using the following methods:
By phone, dial 1-800-766-0448.
By fax, dial 1-800-880-2073.
By internet at
www.worldemblem.com.
World Emblem supports a full e-commerce solution allowing you to place
your orders over the Internet. We are the first and only identification
company in the rental uniform market that supports a full e-commerce
solution for all your ordering and research needs. Our web site will
reduce your costs significantly by stream lining the ordering process.
This helps eliminate costly mistakes, while speeding up the ordering
process.
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Q: What is the process for ordering
Embroidery or Embroidered Emblems? |
Follow these steps
for ordering embroidery:
- A customer asks a Customer Service
Representative for an embroidered embellishment from a sketch (or
business card).
- The Rep scans the sketch as a JPEG
file.
- The Rep submits a design request for
an Electronic Simulation of the logo.
- WEI creates the Electronic Simulation
and emails it to the client.
- If the customer wants to make changes,
the Rep will submit the changes.
- When the customer is satisfied, the
Rep will request to have the logo digitized.
- WEI digitizes the logo, which means
the files that are fed into the embroidery machines are created.
- A photo of the physical sample is
taken and posted on the website. The customer can also request a
physical sample to be sent.
- WEI awaits approval or changes from
the customer. If the customer wants a change that requires an
alteration to the stitching, it is an edit.
- Once the emblem has been approved,
production begins.
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Q: What is your pricing policy? |
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A:
As part of the World
Emblem customer service policy, we design a unique style number and our
pre-pricing system guarantees that you are not presented with any
'hidden extras' or price increases. |
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Q: How do I scan and submit an emblem on the
Design Request Screen? |
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A: Some points to remember:
-
Scan the embellishment as a JPEG file.
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Specify clearly and concisely when
describing the emblem.
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State exactly what you want, even if it
looks obvious.
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Don't sketch or write on the image to
explain things. These marks have to be removed by the World
Emblem Art Department. It creates more work and may create
smudges.
-
Refer colors using the Thread Chart
(for embroidery) and the Color Chart (for Perfect Print)
embellishments.
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Q: In what
format should my emblem be submitted? |
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Because of the many variations of electronic
design generations, World Emblem prefers to work with camera ready art
and will attempt to work with all digital design formats. World
Emblems does prefer to use AI, CDR, BMP, JPG and PDF. Please keep in mind that
the design can only be as good as the artwork that is provided. Ad copy
must be typed. World Emblem will not be responsible for spelling
mistakes.
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Q: What is the process for ordering Perfect
Print Emblems? |
A: Follow these steps for ordering Perfect
Print Emblems:
- A customer asks a Customer Service
Representative to create a sublimated emblem from a sketch (or
business card).
- The Rep scans the sketch.
- The Rep submits a design request for
an Electronic Simulation of the logo.
- WEI creates the Electronic Simulation
and posts it on the web.
- The customer views the Electronic
Simulation and submits a change (edit) if needed.
- Once the image is approved by the
customer, the simulation is converted to an emblem.
- In the 'Convert' process, WEI creates
the file that can be used to create the emblems.
- The plant can use this file to print
emblems, using the Sublimation Printer and a Heat Press.
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Q: What is the difference between a REMAKE and an EDIT? |
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A: An edit is a permanent change to a design
that changes the features, but uses the same design number. A new
design is created when the customer would like to keep the originally
created design and create a new one using different fabric, colors or a
different layout. |
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Q: Is there a charge to
rush an order? |
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A:
A 25% charge will be applied on all rush orders. |
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Q: Will sales tax be
added to my order? |
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A:
Only customers within the state of Florida that are not tax exempt will
have taxes added to their orders. Out of state customers are not charged
taxes. |
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Q: Can I send my
own garments to be embellished? |
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A:
Customer supplied garments are welcome. The packages may be shipped to
us directly from the vendor or from your current location. Please
include the purchase order number, quantity of garments and a design
number in the package. Garments may also be purchased from World
Emblem. |
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PERFECT PRINTTM |
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A: Perfect Print (PP) is the name used by
World Emblem International (WEI) to refer to Sublimated Emblems created
using the WEI Process. |
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Q: What is Sublimation? |
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A: Sublimation is defined as follows: To
cause (a solid or gas) to change state without becoming liquid.
For example, dry ice changes to gas without ever becoming liquid.
The sublimation process imprints image into polyester, or polyester
coated objects by applying dyes that turn from a solid to gas when
heated. When the sublimation dye is placed next to polyester and
heated at approximately 325 degrees, the polyester molecules open.
The sublimation dye, which at this time is a gas, will then be able to
penetrate the surface of the polyester. After the heat is removed,
the polyester molecules will close permanently bonding the sublimation
dyes, thus the image, in the polyester substrate. |
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Q: What is Inkjet, and how does it work? |
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A: First, although Inkjet is referred to as
Dye Sub, it actually isn't Dye Sub, as Dye Sub transfers are created in
thermal printers using varying degrees of heat to sublimate dyes from a
paneled ribbon in the printer to a special carrier paper. The
image is then re-sublimated onto the final substrate. This "second
generation" transfer offers quasi photo-realistic images, yet is limited
to coated ceramics and treated fabrics. Inkjet technology is the
culmination of an intellectual idea known as "HYBRID SUBLIMATION" that
uses digital printers for printing sublimation dyes. This
technology is applicable to all major computer driven printer formats
including thermal, inkjet and LaserJet. Inkjet actually works by
printing sublimation dyes, using supported ink jet printers (a current
favorite is Epson), in an inactivated or non-sublimated state onto a
standard paper product. Using time, temperature and pressure, the
image is then transferred to the final substrate. This generation
of transfers offer a more vibrant, near photo-realistic image,
with a resolution of up to 2880 dpi. Inkjet transfers can be
applied to coated ceramics, metal, glass, wood, plastic, melamine,
Mylar, marble, polyester fabric or any other polymer coated surface. |
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Q: From where can printer supplies be
ordered? If I need a new printer, where can I get one? |
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A: All Perfect Print supplies (blanks, ink,
paper, templates) must be ordered from WEI. Orders placed on the
web get a discount. The discount will not show up on the screen when the
order is placed, but it will show up on the invoice. Sublimation
printers can be purchased from WEI. The model currently being used
is Epson 1280. |
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Q: Can I use both Epson and Inkjet inks in
my printer? |
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A: Absolutely not! Once you put Inkjet
inks into your printer, you dedicate it for that purpose. If you
decide to upgrade to a different printer, you can reinstall Epson inks,
but you cannot just switch back and forth between Epson and Inkjet inks
with the same printer. The lines and print heads must be thoroughly
cleaned when the inks are swapped. |
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Q:
Will I have a problem if I don't use my
printer for six months? |
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A: Unfortunately, there is a problem
allowing an Inkjet printer to sit for extended periods of time without
printing. The problem is inherent to inkjet printers in general,
and not an issue for Inkjet inks. The shelf life for Inkjet inks
is six months in the printer and 18 months on the shelf (unopened &
climate controlled). It is expected and accepted that the market
provides for consistent use of the inks so that they would be consumed
within the six-month timeline. If you don't use Inkjet inks
regularly, there are procedures to decrease printability issues for your
printer. Of course Inkjet inks will not automatically fail to
perform six months after they have been installed in the printer, but
the life expectancy is based on heat, humidity, and other environmental
issues. If left for more than a year, it is also possible that the
color management capability of the printer will experience color
degradation issues. |
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Q: Do I need special transfer paper? |
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A: It is recommended that sublimation
release paper be used to optimize image output and consistency.
The release paper is specially formulated to release the gas
perpendicular to the material, which reduces or eliminates blurring and
fading. |
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Q: Can the press we use currently to create
Sublimated Emblems be used for Perfect Print Emblems? |
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A: To create Perfect Print Emblems, the heat
press should be able to reach 400 degrees Fahrenheit and apply a pressure
of 70 psi for 50 seconds. Check that the temperature (400 degrees
F) is even over the entire surface. Use a sensor (infrared gun) to
check the temperature. The surface should also not be pitted. |
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Q: Where can I purchase a Heat Press? |
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A: You can order a Heat Press directly from
WEI. |
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Q: What Heat Press should I purchase? |
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A: This is one of the most important
questions that must be addressed before you start imprinting sublimation
transfers. Once this decision is made, you will have to live with
it, and heat presses will last for a long time (20+ years). That's
why it's suggested that you "make this decision carefully". In
terms of size, the standard recommendation for the serious Inkjet user,
printing in a business environment, is 16" x 20" DK20S heat press.
The size of the press is the main reason for the recommendation, as a
smaller heat press should accommodate 99% of the items you will be
imprinting, but there may come a time when you need a larger size.
Another consideration when choosing a heat press would be deciding
between the Clamshell or the Swing-away style. If you're planning
on imprinting thick items (tiles, plaques, etc.) then a swing-away press
is a must, but if thin items were your intention, (T-shirts, FR Plastic,
Metal) then a clamshell press would suffice. It's the popular
opinion, that in a business-class environment, the versatility of the
swing-away press makes it the clear press of choice. |
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Q: What is the best way to produce full
color background emblems? |
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A: Ink usage will be high when producing
full color background emblems. It may so happen that of the three
basic colors in the ink cartridge, only one or two get used excessively
for such emblems. The three basic colors are Cyan, Magenta and
Yellow. So for yellow colored background emblems, the yellow color
will be rapidly used up resulting in a used or finished cartridge.
In such cases, it may be better to order these emblems from WEI so that
the ink cartridge is not wasted because only one color was excessively
used. |
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Q: What are the limitations of Inkjet inks? |
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A: Inkjet inks transfer well to light
colored and synthetic surfaces such as polyester and acrylic coatings.
They do not transfer to natural as well as to surfaces such as cotton,
or to dark colored surfaces. |
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Q: What printers are compatible with Inkjet
inks? |
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A: The Epson Stylus Color 3000 is widely
used by the professional business volume users. With its
individual ink cartridges, and 16.4" x 44" print area, the Epson 3000 is
one of the premier sublimation printers on the market. Epson offers two
Stylus Color 3000 models, in both a PC and Mac version. The
printers are identical, except for an advanced PostScript printer driver
on the included driver CD. Therefore, both PC and Mac versions of
the Stylus Color 3000 are compatible for all Windows based Inkjet users.
The Epson Stylus C900 and 980 are the printers that are best suited for
business minded users who want to start using inkjets immediately.
It provides balance, performance, versatility, affordability, output
speed and resolution all in one package. It features "photo
quality" resolution, easy to use color management and Epson's latest DX3
MicroPiezoTM print head technology, all of which makes the
Stylus 900 and 980 models the clear choice for sublimation transfer
printing. Additionally, the Stylus 900/980 has one of the smallest
droplet sizes in the industry, which ensures incredible detail in the
finished product. |
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Q: What Hardware
is required for Perfect Printed Emblems? |
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A: 1) The hardware to be used
by the sales people - Imaging Hardware (Scanner and Color Printer model
HP 2280)
2) The hardware to be used by
the production people - Production Hardware (PC, Sublimation Printer
model Epson 1280, Heat Press) |
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Q: Where should
the hardware be set up? |
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A: The Imaging
Hardware (scanner and color printer) should be set up where the person
scanning logos and submitting the logo designs to World Emblem sits.
The Production Hardware (PC, sublimation printer) should be set up in a
dust free environment with AC, where the person who prints the emblems
on the sublimation paper sheets can work from. The sublimation
paper sheets are then taken to the Heat Press to create emblems. |
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Q: What is the
hardware to be used for? |
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A: Imaging Hardware
- to be installed at each Branch/Plant/RDC.
Scanner - To scan the
logos/sketches/emblems/business cards. The scanner must be
connected to a network PC. The scanned file (a JPEG file) will be
submitted via the internet to World Emblem to create an Electronic
Simulation of the emblem. If you order a new scanner, you must
have a PC with an XP operating system to operate the scanner.
Color Printer - To print the electronic simulation of the emblem or a
digital photo of the actual emblem to get the customer's approval before
ordering. The Color Printer must be networked to be able to print
off the internet.
Production Hardware - to be installed at each Plant/RDC.
PC with the sublimation printer software. This PC is used to
run the Sublimation Printer.
Sublimation Printer - To print the sublimation sheets used to create
the emblems. The printer must be connected to a networked PC.
Emblems will be downloaded from the World Emblem website and printed on
the sublimation printer.
Heat Press - To create Sublimation Emblems. The Heat Press
should be able to reach 400 degrees Fahrenheit and apply a pressure of
70 psi for 50 seconds. Check that the temperature is even over the
entire surface. Use a sensor (infrared gun) to check this.
The surfaces should not be pitted. |
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Q: What is the difference between Screen Printing and Sublimation? |
|
A. Screen Printing
-
The screen printing process consists of three elements: the screen which
is the image carrier, the squeegee and ink. In order to create a screen
printed design, the artwork must first go through color separation. An
artist breaks down the artwork into separate films by color. A stencil
is produced on a screen using an emulsion. The screen printing process
uses a porous mesh stretched tightly over a frame made of wood or metal.
Proper tension is essential to accurate color registration. The mesh is
made of porous fabric or stainless steel mesh. The stencil defines the
image to be printed. In other printing technologies this would be
referred to as the image plate. Screen printing ink is applied to the
substrate by placing the screen over the material. Ink with a paint-like
consistency is placed on top of the screen. Ink is then forced through
the fine mesh openings using a squeegee that is drawn across the screen,
applying pressure thereby forcing the ink through the open areas of the
screen. Ink will pass through only areas where no stencil is applied,
thus forming an image on the printing substrate. The diameter of the
threads and the thread count of the mesh will determine how much ink is
deposited onto the substrates. Once the design is finished, the item
must be either air dried or placed in an oven.
Sublimation - Sublimation is the
process of imprinting an image into fabric with the use of dye.
Sublimation is defined as follows: To cause (a solid or gas) to change
state without becoming liquid. For example, dry ice changes to gas
without ever becoming liquid. The sublimation process imprints an image
into polyester, or polyester coated objects by applying dyes that turn
from a solid to gas when heated. When the sublimation dye is placed
next to polyester and heated at approximately 325 degrees, the polyester
molecules open. The sublimation dye, which at this time is a gas, will
then be able to penetrate the surface of the polyester. After the heat
is removed, the polyester molecules will close permanently bonding the
sublimation dyes, thus the image, in the polyester substrate. |
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EMBROIDERY HINTS |
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Q: What are Backings? |
|
A: Backings are customarily
made out of either a non-woven polyester fiber that resemble paper or
some type of woven fabric. They are placed under the fabric to be
embroidered and are ordinarily hooped with the fabric. There are
many reasons backings assists in creating quality embroidery.
Different types of backings are used for different types of
applications. |
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|
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Q: Why use Backings? |
|
A:
• Prevent fabric from stretching while
embroidering - This is mainly a concern with knit garments, however,
it is also common with garments such as leather.
• Add Stability to the garment -
Although a garment may look good after it is embroidered, you must also
be concerned with how it will hold up after being washed numerous times.
A stable backing will help prevent puckering after a garment is washed.
• Create a base for delicate items -
If a garment is too small to fit inside a hoop, you can hoop the backing
and tape or pin the garment to the backing.
• Adds crispness to small lettering and
detail- Even though a garment may have enough stability, adding
backing may help to provide better registration on the embroidered good.
• Reduce Friction - A garment may be
stable but using backing may help to allow the fabric to glide across
the machine table as opposed to grabbing the table. For example, certain
garments are coated on the reverse side. The friction during the
embroidery process can cause this coating to heat up which creates a
gummy substance, which will affect its interaction with the thread and
needle. |
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Q: What are the
qualities of Backings and uses? |
|
A: Tearaway
• Tearaway backing is a non-woven fabric
that easily tears in any direction.
• It is very simple to remove after
embroidery.
• There are no remnants of the backing
behind the garment once it is sewn.
• Directional tearaways will tear in only
one direction thereby making it sturdier than typical tearaway backings.
It is sometimes appropriate to use on unstable garments with low to
medium stitch counts and densities.
Tearaway
backing is traditionally used on stable
garments such as denim and caps. Because tearaway backing is so easy to
perforate, it is weakened with each needle penetration. This makes it a
poor decision for unstable fabrics. It can be used on unstable fabrics
such as knits in combination with a cutaway backing. The cutaway can be
hooped with the garment for stability and the tearaway can be placed
between the cutaway and the machine table. In this scenario, the
tearaway is used to add crispness to small lettering and fine detail. Tearaway backing can also be used as a topping to provide better thread
coverage on difficult color combinations. For example if you are sewing
a white fill on a black garment, place the tearaway on top of the
garment and allow the fill to sew over the tearaway. Tear away the
backing after you have sewn the fill and before it sews a steil around
the edges.
Cutaway
• Cutaway can be a woven or a non-woven
fabric that must be cut away after the garment has been embroidered.
• It is generally a soft fabric that can be
worn close to the skin.
• It must be cut from
the garment with scissors. Extreme care is necessary when cutting the
backing as not to damage the garment.
• Cutaway backing is used
predominately to stabilize a garment. It is used on knits, fleece and
any fabric that stretches. A rule of thumb is if the garment stretches,
you should use a cutaway backing. One of the downsides to cutaway is
that you can see the backing through light colored shirts. You should
always try to cut the backing away as close to the edge of the
embroidery as possible without sacrificing the garment.
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Q: How do I select a needle? |
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A: There are several variables to consider
when selecting a needle. Specific needle considerations are needle size,
needle point and system number. There are also specialty type needles
that may be coated for particular applications.
Needle Size
There are two types of numbering
conventions for embroidery machine needles. There is the European
(Metric) numbering system and the American (Singer) numbering system.
The Metric system is determined by multiplying the diameter of the blade
by 100. For example, if the size is 80, then the diameter of the blade
is .8mm multiplied by 100. The Singer numbering system gives the needle
an arbitrary number. Both numbers are usually found on a box of needles.
Needle Point
Needle points can be either round or wedge.
Round points are the most common and come in two variations, sharp and
ballpoint.
Sharp (No letter)
- Sharp needles are the most popular
variety. They are used on tightly woven garments such as towels, denim,
caps and canvas. Sharp needles pierce the fabric rather than push apart
the fibers.
Ball Point (B or BP)
- Ball point needles move the fibers of the
fabric aside without cutting them. They are used on delicate fabrics
such as knits and fleece. |
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Q: What are Hoops and
what is Hooping? |
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A: One of the benefits to machine
embroidery is that you can produce identical duplicates of designs. This
is done by creating a design on the computer, then embroidering it on
garments. By placing the garment in a hoop, the fabric stays in place
and the hoop moves as controlled by the machine. Hooping the garment
properly is an essential element of quality embroidery. |
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Q: How do you select
the appropriate Hoop? |
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A:
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Select the smallest
hoop possible
- Using the smallest possible hoop size
that will fit your design helps to ensure an even tension on the garment
to be sewn. This will lead to good design registration. Make sure to
leave at least a half-inch on all sides of the design for the presser
foot.
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Select the
appropriate shape
- Try to use a round or oval hoop whenever
possible. It will provide the most even tension on the garment.
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Select a hoop made of
the appropriate material - Hoops are made mainly out of plastic and
wood. There are also some cap frames and specialty hoops made from
metal. There are special hoops made out of wood which are called
Double-Height hoops, they are used mainly to hold heavy or slippery
fabrics. |
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Q: What types of Hoops
are available? |
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A:
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Tubular -
These hoops are
used when the machine table is dropped. These hoops snap into a tubular
sash and allow the garment to flow freely. This makes it much easier to
sew finished garments.
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Flat -
These hoops are
used with the tabletop up on the machine. There are special framing
systems that allow you to load and unload these hoops very easily. They
are usually used for pieces of fabric or unfinished garments.
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Cap Frames -
Cap frames
are used to sew constructed caps. They are curved metal hoops that hold
the cap in place.
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Q: How do you take care
of the Hoops? |
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A:
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Make sure to hang
wooden hoops when they are not in use -
If they are left in a
drawer they can become warped or chipped.
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Make sure to insert
hoops into the machine by holding the metal bar or brackets -
Do not
push the hoop into the machine by the wood or plastic.
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Mark both pieces of
the hoop - This way you can always keep the top and
bottom pieces together. |
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Q: What are
the guidelines for Hooping a garment? |
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A:
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Make sure the backing
is large enough to fill the entire hoop
- By hooping the entire
piece of backing you will help to maintain an even tension for the
garment.
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Smooth out the
garment and backing before placing the hoop
- Make sure there are no
folds or wrinkles in the garment once it is hooped.
•
Stretch the garment
to how it will be worn before hooping it
- If the garment
stretches when it is worn, it will make the fabric around the embroidery
look puckered.
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Adjust the hoop
before hooping the garment - Do not tighten the screw after you have
hooped the garment or it may cause hoop burn on the garment or cause the
design to sew out of registration. |
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EMBROIDERY TROUBLESHOOTING |
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Here are some guidelines as to
what to check if you are getting poor sewing quality from your machine.
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Q: What if the thread breaks? |
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A:
• Check the thread path from the cone to
the needle. It may not be threaded properly. . Check the cone of thread.
If the thread is not wound properly, it may cause thread breaks. Try
using a new cone of thread.
• Check the tensions on the top thread and
the bobbin thread. If the top tension is too loose or the bobbin tension
is too tight, it may cause the thread to "bird nest" on the underside of
the embroidery.
• Try using a larger needle. If the eye of
the needle is too small for the thread to flow through freely, it will
cause thread breaks.
• Make sure there are no burrs on the
needle eye, thread guides, throat plate or rotary hook. If the thread
gets caught on any of these, it could cause the thread to break.
• Clean the lint from the thread path. You
can use a brush or an air blower to clean these areas.
• Make sure there are not too many small
stitches in one area of the design or the design is not stitching over
the same spot numerous times in a row. Try to decrease the density in
the area that is having thread breaks.
• Slow down the machine. If the machine is
sewing too fast, it may cause excess stress on the thread and cause it
to break. |
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Q: What can I do to
prevent puckering? |
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A:
• Loosen tension.
• Reduce density in design.
• Adjust hooping. Make sure the garment is
not too loose or too tight in the hoop.
• Use a sturdier backing or more backing.
If the garment is still not stable with a heavier backing, try using a
spray adhesive to adhere the backing to the garment or try an iron-on
backing. |
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Q: What
can I do to prevent looping or loose stitching? |
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A:
• Adjust top thread tension.
• Adjust bobbin thread tension.
• Lower the needle depth to ensure the
thread is catching properly. .
• Check hook timing on the machine.
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Q: What do I do if
I have poor registration? |
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A:
• Re-hoop the garment making sure it is
tight in the hoop.
• Try using a heavier backing or adding
more backing. You may also try using spray adhesive.
• Design may need to have Pull Compensation
or Underlay added to accommodate for stretchy or nappy fabrics.
• May be a problem with the heads on the
embroidery machine. You should consult with a technician about this.
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Q: What should
I do if stitches are not forming? |
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A:
• Check bobbin thread; make sure it is not
empty.
• Check hook timing. The hook may not be
catching the thread loop.
• Make sure the needle is inserted
correctly. |
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Q: What should I do
if the needle breaks? |
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• The needle may be dull and may need to be
changed. If the needle can not get through the fabric easily, it may
cause the needle to break.
• Make sure the needle is inserted
properly. If it is not inserted all the way into to the needle bar
shaft, it could come loose while sewing and break.
• Make sure the hook timing is correct. If
the machine is not timed properly, the needle may hit the hook, which
would cause it to break. |
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Q:
What if there are needle holes or cuts in the fabric? |
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A:
• Try changing the needle. If the needle is
dull, it may have a difficult time getting through the fabric and may
make a hole in the garment.
• Make sure you are using the appropriate
needle point. Sometimes using a sharp needle may cause the fabric to
tear.
• Try a smaller needle. Large needles my
stretch the fibers excessively and cause a tear in the fabric.
• Try putting a topping on top of a
delicate fabric. |
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Q: What are some tips for better productivity of Backings and Toppings? |
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A:
1. Tearaway backing is usually used for
garments that do not require more stability. The fabric itself is stable
such as a woven fabric like denim. It can also be used when tearing will
not distort or harm the edge of the embroidery.
2. If you find that the water-soluble
topping is not doing the trick to keep your stitches aloft, try using
something heavier. For example using several layers of tearaway backing
or even a light file folder may help you achieve the lift needed to get
over those heavy seams and bulky fabrics. After the machine sews the
underlay stitch, stop the machine and tear the backing away from the
design. Now complete the stitching and your embroidery will rise to new
heights.
3. Cutaway Backing should be used for
fabrics where more stability is needed such as knits. It will prevent
the embroidery from pulling or sagging.
4. A great way to cut your own backing
would be to buy a guillotine style paper cutter. It will cut straighter
than a scissors, which will help eliminate waste. Scrim felt used for
chenille can also use this method.
5. To back fabrics with a more transparent
backing use silk organza or even nylon netting. They add stability
without the added weight.
6. Washaway/tearaway backing can also be
used for translucent white goods. The backing will disintegrate in the
wash water and what remains stays under the stitches. This provides a
quality look to your embroidery with an invisible backing.
7. To store your water soluble topping you
can use a paper towel holder and place it on the wall for easy access.
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Q: What are some tips for better productivity of Threads and Needles? |
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A:
1. A great way to insert a needle with as
little difficulty as possible is to use a tooth pick point, old needle
or even a pencil point inserted into the eye of needle. You can now turn
the needle either left or right as needed to align properly. Make sure
the scarf is in the back and the needle is straight ahead or just
slightly to the right. The needle should be as far up as it could go
into the needle holder.
2. Any garment that will be bleached
repeatedly should use a polyester thread for durability. Polyester will
not bleach out as other threads do.
3. Pegboards are a great way to organize
your threads. You can easily change the configuration of the board as
needed. You can also hang other items such as your scissors and bobbins
so everything can be in a centralized location.
4. Using 30wt thread (instead of 40) for a
large fill will cut your stitch count and even eliminate the use of a
topping.
5. A unique look to embroidered items is
the use of metallic and neon threads. Always have a selection on hand
for your customers to view.
6. Enclose laundering tags for all your
jobs to prevent misuse of rayon threads and polyester threads.
7. Having a hard time keeping track of how
much thread you use, when to change a bobbin, how long will a needle
last? Use the following guidelines: 5,000 yard cone of thread equals
900,000 stitches, 127 yard bobbin equals 30,000 stitches, one needle
will last about two million stitches. |
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Q: What are some
tips for machine maintenance? |
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A:
1. Always use sewing machine oil for your
machine. There is no substitute.
2. Oil your machine in the morning before
they are used, rather than at the end of a
production day. Oil will drip off the parts
you are intending to lubricate. With the same idea, do not oil a machine
on the weekend when the machine will not be in use.
3. Preventative maintenance is the best way
to keep your machine in tip-top shape. Clean your machine daily and
lubricate as directed.
4. Do not use an air compressor if you do
not have a dryer. Avoid moisture from collecting in the sensitive
mechanisms of your machine.
5. Cotton swabs are a great tool to clean
out hard to get to spots of your machine. Keep a supple handy.
6. Keep high wear supplies such as needles,
bobbin cases and hook assemblies on hand for emergency repairs.
7. Use small zip lock plastic bags to store
extra machine parts and small tools. This will keep them clean, dry and
moisture free. |
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Q: What
are some other tips for better productivity? |
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A:
1. Bias tape is great to wrap hoops with to
prevent slippage of silky materials. It provides a softer grabbing
power. Floral tape is also used for this purpose.
2. By keeping hand-sewing needles near your
production equipment, you will be able to repair garments quickly when
needed as well as add a few stitches to areas that are sparse.
3. Keep a supply of masking tape in your
production area. This is a great way to hold and mark garments without
permanent damage.
4. Soap slivers can also be used to mark
fabrics for sewing positions. Just by using a damp sponge you can remove
the mark.
5. Magnetic tape with a peel-away sticky
backing is a great way to hold something to the side of the machine or
wall. Velcro strips can also be used this purpose.
6. White cards or sheets of paper should be
near the machine to use in threading a needle. It will provide better
visibility.
7. To mark jacket backs use a yardstick
held in place by spring loaded wooden clothespins.
8. You can also use clothespins to hold the
jacket sleeves away from the jacket when sewing.
9. Keep a camera handy to visually record
the designs you create and sew out. Insert into an album and use as a
sales tool.
10. Instead of letting one head run empty
sew a display sample or even a good will sample for your customers.
Again a great sales tool.
11. If you spray fabric sizing on dark
fabric hoop burns and rub it with your finger, the burn will disappear.
12. Make an "oil bib" for the needlebar of
your multihead machine to catch excess oil before it drips on the
garment. You can use a double thickness felt, cut it in an oblong shape
longer than your needlebar is wide. Attach each end with elastic, pull
it up and tie it above the sewing head. |